SparkNotes: Robert Browning’s Poetry: “Andrea del Sarto”.
In both Porphyria’s Lover and Andrea del Sarto, Robert Browning explores the notions of love and its capacity to corrupt an individual’s character and potential through his signature diegetic form; the dramatic monologue.While the form of these two poems is based around an implied audience, the primary agent and core subject matter is the narrator, rather than the subjects they speak on.
On “Andrea Del Sarto” we have a complete different attitude from man towards woman. Lucrezia is the one in control of the situation and Andrea seems to accept whatever she decides. In this poem man takes the traditional role of woman in the sense that man is usually the one that gives the orders but in this poem man does whatever his wife tells.
His alleged optimism does not account for the gray sadness of Andrea del Sarto’s world or the bloody trial of Count Guido or even the dauntless but perhaps meaningless call of Childe Roland’s.
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In Andrea del Sarto (Browning, Andrea del Sarto), the painter del Sarto, a clearly pathetic man, gives his wife all the money he makes painting for her to cuckold him over and over again. We can feel his torture as we see a man who is clearly flawless artist, but inferior as a man.